LUT Gallery – according to maker Denver Riddle of Color Grading Central, the “most powerful way to do color grading with LUTs! Includes Auto WB Color Picker”.LUT Buddy – free LUT loader plug-in by Red Giant, formerly available as a separate download but now included in Red Giant’s Magic Bullet Suite 13, available in a trial version.FCPX LUT Loader – free plug-in for Macs running macOS Sierra and later, made by FCPX plug-ins specialist Pixel Film Studios, which offers a number of LUT looks packs for purchase.FxFactory – retails a catalog of plug-ins and effects for Final Cut Pro X and other NLEs including colour grading plug-ins.Epicolor – intriguing new product by Lemke Software, available through FxFactory, includes a post production LUT application feature.Color Finale and Color Finale Pro – colour grading plug-in suite with LUT loading capability, made by Denver Riddle of Color Grading Central.Chromatic – currently undergoing development, CoreMelt’s Chromatic color grading plug-in is their “all in one color grading plugin that combines curves, color wheels, tracked masks, inside-outside mask grades, selective color correction, LUT loading and management and degrain, regrain all in one tool.”.LUT and colour grading plug-ins, and applications Meanwhile Premiere Pro itself has some problems with correctly supporting 8-bit and 10-bit GH5 footage and Blackmagic’s DaVinci Resolve colour grading software-cum-NLE also seems to incorrectly clamp super whites after LUTs have been applied. If the cause resides in one or more specific LUT plug-ins, then it may be wise to try out others on the list below. So far the specific causes of this problem, and its permanent solution, have not been 100% identified, but it may be useful to share a list of the free and paid-for LUT plug-ins and related software that are currently available. The most common problem reportedly does not appear in Adobe’s Premiere Pro NLE using the Lumetri Color panel, but seems to be centred on Apple’s Final Cut Pro X or more specifically some current versions of third party LUT-loading plug-ins. High whites are well-preserved in GH5 V-Log 10-bit 4:2:2 footage with Leeming LUT One applied in Premiere Pro, before and after The problem involves clamping or lowering the footage superwhites after LUTs have been applied. It breathes life into your indoor shoots and helps make your presenter glow with subtle warm tones.Īdobe Premiere, Final Cut Pro X, Lumafusion, Filmora 9, Avid Media Composer, After Effects, DaVinci Resolve, Edius and any other app which can load LUTS.A number of Panasonic Lumix GH5 owners using Final Cut Pro X with LUT loading plug-ins have reported varying LUT interpretation results with 8-bit and 10-bit footage. That's why we created this studio glow LUT. You don't want something that feels unnatural or way over saturated. Studio Glow - It's hard to find a good LUT for indoor shoots, especially to use for vlogging or corporate work.Put your evening town and city shots through this LUT. We got a lot of compliments when we created this after filming some footage in Las Vegas, so now this is yours.
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